Post Traumatic Stress Disorder ( Ptsd ) - 1364 Words

Currently, about eight percent of the world’s population will develop some form of Post-traumatic Stress Disorder. These numbers maximize when focusing on the military alone. During the Vietnam War, about fifteen percent of veterans were diagnosed with PTSD. This number doubled as the veterans went on with their life continued after the war to thirty percent. Our two most recent wars, Operation Iraqi Freedom and Operation Enduring Freedom, lead in the numbers with up to twenty percent of the veterans suffering from PTSD. It is very difficult to account for every military related suicide since the department of defense no longer keeps track of the military personnel who are retired or who are no longer in service. A study relating†¦show more content†¦Any of conditions can make it difficult to retain relationships and jeopardize employment. Multidisciplinary Association for Psychedelic Studies (MAPS), located in Santa Cruz, California, is a â€Å"non-profit ph armaceutical company working with the FDA and international regulatory agencies to develop psychedelics and marijuana into prescription medicines for patients with unmet medical needs. Since its founding in 1986, MAPS has disbursed over $17 million to research and education surrounding the potential therapeutic uses of psychedelics and marijuana. MAPS is now funding or coordinating clinical trials of MDMA-assisted psychotherapy for PTSD in eight countries around the world.† Methylenedioxymethamphetmine (MDMA) is an artificial created drug which is highly known for its capability to lower the edge on people. It increases the empathy of subjects and stimulates trust among people. MDMA creates an opportunity for a secure bond to take place and open up about certain traumatic events, something that lacks current anti-depressant medication. Whereas some medication prescribed to PSTD patients tend to hide their emotional state, MDMA creates a comfortable environment between the tr aumatic event that may be causing stress or anxiety, and suppress the escape feeling

Essay about Early Medieval Barbarians Sense of Ethnicity

Early Medieval Barbarians Sense of Ethnicity There has always been, and will most likely continue to be, great debate as to what we can or cant truly known about the â€Å"Barbarians†. To the peoples of ancient Greece, and later, Rome, a barbarian was ‘anyone who was not of their extraction or culture. Because most of these strangers regularly practiced raids upon these civilizations, the term barbarian gradually evolved into a perjorative term: a person who was sub-human, uncivilized, and regularly practiced the most vile and inhuman acts imaginable’. [1] In a good overall summary of the barbarians, it has been stated that these ‘Barbarians’ were ‘a tall, fierce, fair- haired and fair-skinned†¦show more content†¦There has also been a vast array of archeological evidence that has been discovered that may or may not give us more insight into the lives of the mysterious middle aged warriors, however this type of evidence does not give historians solid facts, but rather evidence u pon which an opinion may be formed. It has been stated that ‘the only thing we can truly know about early medieval barbarians is their sense of ethnicity’. The oxford English dictionary defines ethnicity as ‘pertaining to race; peculiar to a race or nation; ethnological. Also, pertaining to or having common racial, cultural, religious, or linguistic characteristics, esp. designating a racial or other group within a larger system; hence (U.S. colloq.), foreign, exotic’.[3] Research however has shown that the in some cases Barbarians did not have such an extreme sense of ‘ethnicity’, or unique ‘otherness’, that has previously been suggested. In today’s age, our common preconception of somebody who is ‘ethnic’ is more than often a negative perception. There are many reasons for this, but the most common explanation may simply lay with the fact that just because we may not understand enough about a different groups culture or way of life, or we have differentShow MoreRelatedWorld s Most Culturally Diverse And Religiously Open Empire4967 Words   |  20 Pagesof being tolerated in society no matter what, the Roman’s assimilated people into society as full citizens. This meant the empire could strive because it was able to enlist, absorb, reward, and intermix people of different/diverse backgrounds, ethnicities, and religions. The fact that at the Roman’s peak anyone (an African, Spaniard, Briton, and Gauls), could reach the highest power as long as they were assimilated provided tremendous success to the kingdom. Also, the Romans always had multipleRead MoreOne Significant Change Tha t Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.163893 Words   |  656 Pageseven peaceful protest, opened the way for brutally repressive regimes that actively promoted or systematically engineered the massive episodes of rape, oppression, and genocidal killing that were major offshoots of a second global conflict in the early 1940s. The barbarous treatment meted out to tens of millions of men, women, and children in a decade that marked the nadir of recorded human history provided much of the impetus for a worldwide resurgence of human rights activism, agitation, and

The Ice Cream Shop Incident free essay sample

â€Å"Hi, what can I get for you?† the attractive girl behind the ice cream shop counter asked me. I put my hands on the counter and looked over the selection of ice cream. â€Å"Yeah, I’ll take two scoops of you in a waffle cone, please,† I said with a polite smile. She did not return the smile. Instead she came back with an instantaneous, â€Å"No.† Ouch. I was rejected like a can of Slim-Fast at a summer camp for the obese. â€Å"In that case I guess I’ll go with the cookies and cream.† When we set foot outside, my friends burst out in laughter. â€Å"Shut up,† I chuckled. â€Å"You know, that’s why we love being around you so much, Jake,† one of my friends told me with a pat on the back. I went and sat on a bench to enjoy my cookies and cream in a waffle cone. We will write a custom essay sample on The Ice Cream Shop Incident or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page A minute later the girl from behind the counter walked out the back door and to her car. On her way back to work she glanced over at me, so I put on a smile and waved in her direction. Her cheeks became red and a smile crept across her face as she shot back a quick wave. That completed the day. My friends say that these spontaneous moments happen often with me. I can take an ordinary day and turn it into a memorable one. The day of the â€Å"Ice Cream Shop Incident† was an ordinary dayaˆâ€ there was nothing special about it. We were just hanging out and decided we wanted ice cream. Now that day is talked about nearly every time we hang out. So how will my presence enhance the community? I believe I will not only bring my academic accomplishments, but also a fun, outgoing personality that will radiate to others making the college experience a great one. I can make days memorableaˆâ€ just like the day of the â€Å"Ice Cream Shop Incident.†

Woman With the Hat by Henri Matisse Essay Example For Students

Woman With the Hat by Henri Matisse Essay Henri Matisses Woman with a Hat 1905, is on display at the San Francisco Museum of Modern Art. Woman with a Hat is a classic fauve extravaganza of wild color. It is oil on canvas; 31. 75 by 35. 5 inches. The first thing one notices about the painting is the color, its everywhere. The painting looks like a splattering of garish color. Green stands out instantly, as it dominates a good deal of the composition. The image of Madam Matisse almost becomes secondary to the color experience. The lines are thick and yet undefined. There is a black contour line that runs from the left on her arm across her back and up past her ear and hair to her hat. On the first curve of the hat, a thicker blue line replaces the black line and continues across the hats outline, intermittently interrupted by regions of black. When the hat ends on the other side of her face, a rather thin black line forms again. This line is not so defined as a line per say, as it is a separation between the colors of her face and the green of the background. This small line continues around her face and helps to define her jaw line, her hair, and her ear. We will write a custom essay on Woman With the Hat by Henri Matisse specifically for you for only $16.38 $13.9/page Order now Below her face the line becomes more defined and increases in width and thickness as it sweeps down the edge of the fan. It is abruptly ended by a thick and conspicuous white line jetting diagonally downward at the end of the fan, which puts and end to the body. Beyond this line, there are no more definite lines to speak of; the colors themselves take over in the absence of line in the paintings bottom right quadrant. Matisse gives us his wife in an hourglass shape. Her body is hidden behind her fan; we see only her arm and torso. She appears wide at the bottom half of the portrait. Her shape causes the viewers eyes to wander up over the fan toward her neck, the narrowest, and also one of the brightest, parts of the painting. Her face is oval and contributes to the impression of a triangular upsweep toward the hat. The hat and the face together form a triangle. The fan below the face also makes a triangular shape. The texture of the composition is rough, and brush strokes are clearly visible as one scans the painting. Matisse has applied the paint in varying layers of thickness and viscosity. The backgrounds texture is, for the most part, smooth; the strokes are visible but are not rough. The same is true for Madams hat, the contents of which are rendered with rather thick and hasty applications of paint, but the blending of these applications leads to a textured yet smooth appearance. The texture of her face is rather rough, due to the high number of colors and paint splotches. The orange line that forms her neck is also quite rough. It is the fan that Matisse has given the greatest representational texture, and it appears to be the roughest object in the whole composition. Its lace is rendered in long wide diagonal strokes of thick white and blue paint. The fans floral pattern is a jumble of heavy smudges and rapid strokes, perhaps applied with a palate knife. The space of the painting is very shallow. Madams body takes up nearly the entire nearly foreground, and there is nothing to impede the viewers access to her. This lack of any perceivable special depth, as well as the total obliteration of any background details has the effect of bringing her outstandingly close to the viewer. Her motion appears to be paused. Time is not frozen per say, so much as she appears to be captured between motions. .u6e7b48b5742bb295159d3103e6e824b2 , .u6e7b48b5742bb295159d3103e6e824b2 .postImageUrl , .u6e7b48b5742bb295159d3103e6e824b2 .centered-text-area { min-height: 80px; position: relative; } .u6e7b48b5742bb295159d3103e6e824b2 , .u6e7b48b5742bb295159d3103e6e824b2:hover , .u6e7b48b5742bb295159d3103e6e824b2:visited , .u6e7b48b5742bb295159d3103e6e824b2:active { border:0!important; } .u6e7b48b5742bb295159d3103e6e824b2 .clearfix:after { content: ""; display: table; clear: both; } .u6e7b48b5742bb295159d3103e6e824b2 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6e7b48b5742bb295159d3103e6e824b2:active , .u6e7b48b5742bb295159d3103e6e824b2:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6e7b48b5742bb295159d3103e6e824b2 .centered-text-area { width: 100%; position: relative ; } .u6e7b48b5742bb295159d3103e6e824b2 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6e7b48b5742bb295159d3103e6e824b2 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6e7b48b5742bb295159d3103e6e824b2 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6e7b48b5742bb295159d3103e6e824b2:hover .ctaButton { background-color: #34495E!important; } .u6e7b48b5742bb295159d3103e6e824b2 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6e7b48b5742bb295159d3103e6e824b2 .u6e7b48b5742bb295159d3103e6e824b2-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6e7b48b5742bb295159d3103e6e824b2:after { content: ""; display: block; clear: both; } READ: Desiree's Baby and Yellow Woman EssayWhat we are seeing is a temporary break in motion. While her face is clearly pointed at the viewer, it is the fan that opens up the figure, turns her, and helps her face the viewer. Either she is facing us, or she is looking back from a shoulders and torso turn, or she is turning away and looking over her shoulder and we have intercepted her look. The either/or quality of her motion and pose is a very distinct feature of the composition Clark. In this painting color mimics light and there is no play of light and shadow per say. There is only the interplay of various hues. Clearly the pastel colors at the top of the painting appear to be brighter and better lit than the dark colors of Madams hat and hair. There are four distinctively dark regions of the painting, though they are small in comparison to the color extravaganza that is the rest of the painting. The first such region is directly behind the edge of the fan, on the paintings left. This dark region continues upward and becomes a thick black stripe along her shoulder. The second shaded area is on the left side of her hat. This dark shadow emphasizes the curving of the hat. The third dim area is on the opposite side of the hat. Here the dark paint is more evenly diffused with other colors than elsewhere. It serves to add depth to the objects in the hat, and the right edge of the hat itself. The last dark area is directly beneath her hand that holds the fan. Here a dark shadow is cast from beneath the fan, it serves to enlighten the viewer that she is holding the fan outward and that her arm is the nearest object in the painting. Matisse has rendered his wife in bombastic unnatural colors. The colors are what take the picture from portraiture to expression. It is not a portrait of Madame Matisse so much as it is the visual expression of her. The colors are vivid and unnatural, and they alternate between warm and cool hues. All are bright. There are three major hues that dominate the composition: shades of orange-red, blue, and green. Starting at the bottom left quadrant of the picture, one sees orange-red. This color is, for the most part, singular and is not blended or mixed with any other. About a quarter of the way up the picture the orange-red collides with both blue-green and lavender-pink. These small patches of color are not as cleanly mixed as the previous color field; the lavender-pink is a hazy cloud of color while the blue-green field arcs to one side as it follows Madams shoulder. These colors go on to give way to blue, white-blue, yellow, and green. The yellow patch behind the hat stands out noticeably. On the right side of the composition there are less colors. The upper right background is dominated by green and white. These colors are mixed with other hues and interact aggressively where they meet, but on the whole, the right is just these two colors. Three quarters length down the painting on the right side, a large array of colors becomes apparent. Red, orange, green, blue and white all intermingle in this rather small color field. This is the only part of the painting that has no defined lines at all. The figure itself is dominated by and composed of an assortment of juxtaposed colors as well. The focal point of the composition is the face. A rather thin line gives us the outline of a face, but it is solely color that brings a face to life. Both her jaw and cheek are merely touches and dabs of color. .u9eade3a4ce15df69d1096af1662ed725 , .u9eade3a4ce15df69d1096af1662ed725 .postImageUrl , .u9eade3a4ce15df69d1096af1662ed725 .centered-text-area { min-height: 80px; position: relative; } .u9eade3a4ce15df69d1096af1662ed725 , .u9eade3a4ce15df69d1096af1662ed725:hover , .u9eade3a4ce15df69d1096af1662ed725:visited , .u9eade3a4ce15df69d1096af1662ed725:active { border:0!important; } .u9eade3a4ce15df69d1096af1662ed725 .clearfix:after { content: ""; display: table; clear: both; } .u9eade3a4ce15df69d1096af1662ed725 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9eade3a4ce15df69d1096af1662ed725:active , .u9eade3a4ce15df69d1096af1662ed725:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9eade3a4ce15df69d1096af1662ed725 .centered-text-area { width: 100%; position: relative ; } .u9eade3a4ce15df69d1096af1662ed725 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9eade3a4ce15df69d1096af1662ed725 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9eade3a4ce15df69d1096af1662ed725 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9eade3a4ce15df69d1096af1662ed725:hover .ctaButton { background-color: #34495E!important; } .u9eade3a4ce15df69d1096af1662ed725 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9eade3a4ce15df69d1096af1662ed725 .u9eade3a4ce15df69d1096af1662ed725-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9eade3a4ce15df69d1096af1662ed725:after { content: ""; display: block; clear: both; } READ: Venetian School: Titian EssayThe face composes itself out of the cluster of color to become all one thing. Her cheek is yellow and this color sweeps upward to the right in a curving arc ending above her eve. It is met by a swipe of blue-green, over lain by a bit of yellow. Blue-green smears appear opposite her left eye, at the margin of her face and hair, as well as along her jaw line. This color is also prominent on the right side of her face between her nose and mouth. The nose is not a nose per say but rather several lines of color that mimic a nose. Blue-green appears as the bridge of the nose while a thick line of green runs down its length, separating nose from cheek. A smudge of gray-blue appears as a nostril while the whole thing culminates with a drop of yellow on the tip of the nose. The mouth also is not mouth so much as it is color-for-mouth. It appears drawn, with two lines of red and pink. An arc of gray-mauve is painted over the bright red on the left side of the upper lip while a paler pink-mauve is dabbed directly under the gray, over the pink of the lower lip Clark.